Preserving Our Stories
Overview
Join us on June 27 for Light For Life®: Museum Lighting Symposium, a one-day virtual symposium focused on the intricacies of illumination in museums and galleries, hosted by the IES Museum and Art Gallery Lighting Committee.
Presentations curated to cover:
- The vital effect of lighting on appearance and preservation of museum objects
- The multitude of advancements in lighting equipment, controls, and light source characteristics
- New recommendations for lighting and exhibition procedures
Registration Fees
$29
$39
$0
Speakers
Scott Rosenfeld
Lighting Designer
Smithsonian American Art Museum and Renwick Gallery
Kaitlin Page
Senior Electrical Engineer, Lighting Design
CD Companies
Steven Rosen
Founder
Available Light
Rugved Kore
PhD Candidate
Penn State University
Kirsten Opstad
Designer, Software Developer
ArtsVision
Andrew J. Pekarik
Retired, Smithsonian Institution
James B. Schreiber
Professor; Research Fellow
Duquesne University; the Smithsonian
Matthew D. Franks
Associate Principal and Americas West Lighting Design Leader
Arup
Paul Himmelstein
Art Conservator
Siobhan Watts
Lead Conservator
National Museums Liverpool
Steven Weintraub
Principal, Founder
Art Preservation Services
Jonathan Alger
Managing Partner
C&G Partners
Agenda
Introduction
symposium overview: why are museums important, and what does the IES Museum Lighting Committee do?
IPOP and the Museum Experience
How can we improve the experiences of visitors in museums? This presentation will introduce the IPOP (Idea, People, Object, Physical) Experience Preference Theory and discuss its application in exhibition design and visitor engagement. Special attention will be given to its usefulness in facilitating outstanding visitor experiences and to the important role played by lighting in affecting the physical component of the model.
Preservation of Light Sensitive Materials
The Preservation of Light-Sensitive Materials section of ANSI/IES RP-30-20 Recommended Practice: Lighting Museums lists the four primary factors that determine the rate of photochemical damage.
1. Susceptibility of a material to optical radiation
2. Intensity of radiation at the surface of the material
3. Duration of exposure
4. Spectral power distribution of the light source
This presentation will summarize the evolution of our understanding regarding light-induced damage and our ability to control these four factors. The challenge is to find a balance between the implementation of rigid lighting standards and the importance of providing quality illumination that will enhance the museum visitor’s viewing experience.
Lighting for Museum Collections: Policy, Practice, and Procedures
The collections management framework for museums sets out policies for accessing and caring for collections. Included in this are the expected and desired lifespans for light-sensitive collections, and procedures for their display and loans. How does this work in practice, particularly for challenging spaces and historic buildings where daylight is the primary form of lighting? For the long-term display of collections, light budgets and cumulative lux measurements are useful for monitoring performance and prioritizing improvements to light control.
Case Studies
Review of relevant case studies
Afternoon Overview
Handcrafting Light in the 21st Century at the Smithsonian American Art Museum
At the Smithsonian, we’ve developed a cutting-edge lighting system featuring thousands of Bluetooth-connected spotlights. About half of these luminaires can adjust their color, while the other half can be shaped and softened with unprecedented precision thanks to LED technology. This innovative system empowers Scott to orchestrate light in ways previously unimaginable, enabling dynamic performances that bring epic scale paintings to life and reveal the beauty and stories embedded in the artworks at the Smithsonian American Art Museum. We aim to showcase this system through a lighting demonstration, highlighting its ability to enhance the viewing experience for visitors. Topics covered will include the utilization of track lighting and various accessories to illuminate fine art, minimize glare, achieve uniform wall washes, preserve light-sensitive artworks, and optimize the experience for visitors, including those with low vision and color deficiencies.
Enlightening Inquiries: What Your Lighting Designer Wants to Know
Knowledge is power. From working to help visualize your story; to understanding content, schedule, budget, and scale; to aesthetic considerations; to technical challenges; to owner concerns and more, there are myriad of ubiquitous components that any professional lighting designer will want to discuss and absorb. The more you can share with a lighting designer, the more you can depend on successful outcomes and budget estimating. This talk aims to set you up for success.
Speaker
Recreating and Preserving Color with Light
A review of case studies exploring different lighting technologies (from track lighting to projection mapping) used to preserve and showcase art.
Getting the Light Right: Daylighting and Preservation
A half-hour debate between an architect and a conservator about the issues – pros and cons – of having daylight in museum galleries.
· What is the proper role of daylight in museums?
· What are concerns about the use of daylight in museums?
· What are examples where daylight is underused, overused or where the balance is just right?
What a Lighting Design Client Really Wants
What do lighting design clients really want? What “expensive problems” do you solve for them? How can lighting designers, manufacturers, and suppliers better align with their customers? What do lighting design clients want in a collaborator? A real-life client lays it all out there, in an upbeat and candid session.
Moderator: Kaitlin - Panel Q&A
Opportunity for live attendees to ask questions of the panelist.